Surprise Tuesday update!

It’s not writing, so don’t go getting your hopes up, but I’ve taken to heart the thought that it’s better to have the wrong content than no content at all, on the basis that habit is more important than any other factor in regularly-updating media. According to my stats tracker, I could hardly be doing worse at audience attraction and retention than I am now, so I may as well try something else. I do warn you, this is going to be a bit of a ramble.

First, I had the opportunity to see Wreck-It Ralph this evening, which was better than I was expecting. I enjoyed it not only as an homage to the history of video gaming, but also on the merits of the story. I certainly didn’t see the end coming—the one I thought was going to turn up proved to be one layer of twists too few. Definite props from me on the very few wasted details. Not fully preplanning my stories tends to rob me of the chance at that. It also hit some emotional notes that made me want to hit similar emotional notes in stories of my own, which is a good shorthand for how I feel about a movie in general. That concludes this spoiler-free review (TLDR 8.5/10; not as deep as a Pixar movie but less emotionally taxing).

Second, I guess I’ll write a word or two about process. Every writer comes across stories differently, so talking about methods tends to be of limited use as advice (hence this not being a full-on writing ramble, and should you really be taking my advice anyway?). Anyway, I believe I once wrote here that short stories from each of my currently-active universes start in three places: a battle, in space or on land, for Nexus-war-in-space, an inventive murder for Sam Hill, or a title for skypirates. That’s one level of abstraction above the truth, though, which is that, in the storytelling oven of my mind, I start with one single idea, and the story grows from that. I know there are some people who start with plots or characters (which, I think, you’ll allow me to describe as collections of ideas), but that’s never really been my strong point. One of the things I’m trying to do is give stories more time to germinate, which is the same thing as more time for them to develop additional interesting ideas in between. The current Cannon story wasn’t going to start in the middle of an aerial battle, but I figured it would help put the sky piracy in skypirates, which has not to date featured a great deal of it.

Third, I’ve been watching the Penny Arcade TV strip search. As a creative person myself, it’s definitely interesting. Granted, the overlap between comics and writing isn’t perfect—some pictures are worth a thousand words, and there are some words worth a thousand pictures—but it’s interesting seeing what people come up with. I must say, in the finale, the contestant who was a contender, but perhaps not a favorite of mine, vaulted into the lead. See below:

Spoiler for

Katie’s Camp Weedonwantcha absolutely blew me away; I’d read the crap out of it if it became a regular thing. The art is perfect for the writing.

Fourth, I wrote about six hundred words this evening, and I’m on track to do much the same for at least two other evenings this week. Too, I came up with a hook for the next story to run, which will feature something not seen for some time here. I look forward to hashing it out a little better, and eventually to writing it.

I think that’s about all for tonight. Thanks for your continued reading, and I hope this update suffices as content interesting enough to encourage your habitual reading.

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Father’s Day weekend update

I am not a father, but I wish a very good day upon any fathers out there, especially my own. Supposing there are any fathers in my very short list-o-readers, I also apologize for the news that updates are coming back on Friday, rather than Tuesday; it turned out that I had quite a lot to do this weekend, and of course I didn’t have any time during the week, as I mentioned in my last update.

With a week of twelve-hour days behind me1, though, I can get back into my more usual cycle of writing and typing, and then back to a more regular update schedule. Speaking of which, the annotation at the ironically-named Irregular Webcomic today seems to be pretty on-topic.

I saw Star Trek: Into Darkness with my dad and the rest of my family this weekend, and I figured that, as a science fiction sort of guy, I was qualified to make this quibble (no spoilers, I don’t think): the interior design of the new Enterprise is entirely unlike anything anyone would ever build as part of a starship. I came to this conclusion during the scene where (okay, maybe a tiny, non-plot spoiler here) where Kirk and Scotty were running down a stairway past a bunch of tanks of something with a radioactive symbol on them. The ceiling was out of frame, and our heroes then proceeded onto a catwalk high above a mass of pipes or conduits or something. The amount of wasted space was staggering, and I can conceive of no circumstance in which a starship engineer would choose to build like that. It wasn’t even plausibly implausible (along with a few other scenes, but I won’t go into that here), and although it was good spectacle, and there were some individual performances I thought were nice, I don’t think it was, on the whole, a particularly good movie. Man of Steel might be happening later this week—here’s hoping that’s better. I also put in a few hours of Rise of Flight time with my usual flight sim crew, and some video of that may be forthcoming (we’ll see).

That’s about that. I’ll see you for an update on Friday.

1. I don’t think I’m allowed to say exactly what the project is just yet, given that I can’t find any news releases about it, but I’m very happy with how my chunk of it, and indeed the rest of it, too, turned out.

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No updates for a week or so

It’s crunch time at work, and my choice for my writing time this week is either type updates or get further ahead on writing. I hope you understand when I say I’d rather get further ahead on writing.

The Fish Bowl (that’s soapbox.manywords.press, if you aren’t keeping track) will see a few updates in the next few weeks: my collaborator, old college pal, and sometimes wingman John has bought the DCS simulated version of the Ka-50 attack helicopter, and I’m recounting the flight training I graciously volunteered to carry out. So, you have that at least to look forward to.

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Nathaniel Cannon and the Secret of the Dutchman’s Cross No. 9

“This is not a strict truth,” the abbot admitted. “He gained the cross from Ethiopia in 1915, and was returning to us when he fell out of contact. Friends of the Church have scoured the Sudan and Egypt for signs of his passing ever since. At last, we have found something, evidence of a detour irresistible to an Egyptologist of van der Hoek’s dedication, and perhaps a witness to his final days.”

“And you want me to nose around, find the cross, and bring it back.”

“Yes, captain, that is so.”

Cannon scratched at his chin. “We had a run-in with the British on the way here. They’ll be on the lookout for us. Where in Egypt are we headed?”

Lasalvatore hesitated. “The situation is complex,” he said, eventually. “I cannot yet reveal the place exactly. Your eventual destination will be in Upper Egypt, but you will also need to stop in Alexandria to meet Brother Masaracchia.”

Di Giacomo blinked. “What is my cousin doing in Egpyt?”

“He has been there since we learned of van der Hoek’s last whereabouts, coordinating our search for the cross.”

“Getting into Alexandria won’t be easy,” Cannon said. “How are you planning to pay us back for the trouble?”

Calmly, the abbot said, “Three thousand seven hundred ounces of gold.”

Cannon paused. The monks hadn’t been lying when they said they could make it worth his while. He suspected they had left some wiggle room, too. “Seventy-five large will barely even cover gasoline,” he said. “Seven thousand ounces.”

“Your engines use blaugas, captain, and I know more than you might think about the cost of a zeppelin,” the monk rejoined gently. Cannon held his gaze for a moment. His smile seemed genuine enough. “Four thousand three hundred ounces.”

“Forty-five hundred,” Cannon said, after a long moment had passed. “And we can take any artifacts of historic value for sale to the Lourve.”

“I cannot condone that, but except in the case of items of significance to the Church, I will not stop you,” Lasalvatore said. “Your price is acceptable.”

“Then it sounds to me, abate, like we have a deal.”

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Nathaniel Cannon and the Secret of the Dutchman’s Cross No. 8

“Ah, Pietro.” The abbot took di Giacomo’s hand in both of his and said, “Brother Masaracchia often speaks of you. I am sorry he could not be here today.”

“Couldn’t be here?” Cannon prompted.

Lasalvatore shrugged. “We are God’s servants, captain, and we go when the Father calls us. You may see him yet before the end of this matter.”

“Let’s not get too far ahead of ourselves. Like I told you in the telegram, if I don’t like the smell of this, I’m dropping it like a barrel of bad moonshine.”

The abbot merely smiled. They walked across the courtyard, winding along narrow paths through garden plots, surprisingly fertile given the dry, brown landscape outside the walls. Cannon kept his eyes moving, and although the monks tending to the gardens looked honest enough, he saw why Choufeng had been suspicious. Behind their dilapidated facade, the walls were in pristine shape, showing signs of recent repair. The monks walking atop them did so with all the martial watchfulness of a sentry who knew the enemy had him surrounded.

They came to a door in the keep, and the abbot ushered them inside. They went down a flight of stairs. The air became cooler, and they came to a barred wooden door. A monk stood before it. Lasalvatore said a few words to him in Italian, and he stepped aside. Lasalvatore lifted the bar and pushed the door open. It swung slowly and quietly, giving Cannon the impression of great weight, and the abbot beckoned him in. Choufeng and di Giacomo followed.

It was not a large room, only thirty feet by twenty, but it held a staggering display of wealth. Candlelit gold glittered from every corner—jeweled scepters, crowns, goblets—draped in silk woven with threads of silver. Something of Cannon’s shock must have shown on his face.

“So you see, captain, signori, we are not so poor as we seem. These artifacts, entrusted to us by Roma, make us wealthy, perhaps, but in our catacombs there are holy relics of much greater value than this collection of worldly trifles. It is one of these relics, captain, we ask you to recover.”

Cannon straightened. The engraving on the chalice in front of him could only be the work of a master of the Italian Renaissance, one of only two or three. He would look them up when he went back aboard. The abbot watched him expectantly. “Well, what is it, Father?” said Cannon.

“A cross, forged of bronze,” the abbot replied. He walked to the door and held an upturned palm out toward it. Cannon took the hint and stepped out into the hallway, with one final glance at the riches over his shoulder. The abbot started walking, and Cannon fell in with him. “It was made in the ninth or tenth century, it is said, and was rediscovered twenty years ago in a reliquary of the Coptic church. The decision was made to recover it, but the Ethiopians were unwilling to part with it.”

Lasalvatore led them back into the courtyard, and the four of them settled on a pair of stone benches shaded by the wall. “This was unacceptable. We employed a Dutchman of some fame, Martijn van der Hoek—”

“Van der Hoek?” Cannon interrupted, leaning forward and furrowing his brow. “He vanished in late ’14, and nobody knows what happened to him.”

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Commentary, Secret of the Dutchman’s Cross No. 8

So, sitting here watching my hometown Penguins get shellacked, blown out, slaughtered, or whichever euphemism you like, I figured I’d write a bigger annotation than usual.

It’s that van der Hoek guy again. He may not be in such good shape here, despite his very topical book from the last Cannon story. Fitting that he’s related to the Mendicant Order of St. Giles, which is one of my favorite contributions to this setting. You’ll begin to see why as this story goes on.

I’m currently about four handwritten pages ahead (an update of this length comes to about two pages). I’d like to have another one of this length for you, but it depends on how productive I am weeknights this week. The prognosis is decent, at least.

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Sunday Night Update (Sam Hill postmortem edition)

Weekend update time! Picture Sunday Night Football music here.

First off, I think you ought to read the webcomic DOUBLE K (capitalization from original). It’s apparently half a fan comic of an anime series I’ve never heard of, but the other half is a send-up of 80s buddy-cop TV shows, and it’s full of awesome antics the likes of which I wish I could write (or at least write more often). Secret of the Dutchman’s Cross is going to feature some antics, at least.

Second, I finished Tomb Raider. No spoilers, but it’s the first game in a while I’ve played to its conclusion, and as an exercise in character writing, I think it’s a pretty amazing accomplishment. Given the history of the series, I didn’t expect to think that Lara Croft was more interesting than the gameplay.

Third, I’ve decided on a gimmick for future Sam Hill stories: I’m going to try to do them in a similar vein to Rashomon, the Kurosawa classic I haven’t seen. The short version is that the mystery isn’t in the facts and their discovery so much as contradictory testimony. We’ll see if I can pull it off—one of these days I’m going to do another Sam Hill tale.

Speaking of which, I promised a postmortem on the last Sam Hill story, so here’s the abbreviated version (a long one may not be forthcoming—I’m sleepy, and I have writing to do during my other Many Words time). Point the first which I wanted to work on: distinct characters. I think I was doing better at than than usual, with the caveat that I frequently took the lazy (and only partially-explained-by-Sam) way out of describing characters’ emotional states rather than showing the outward signs thereof. That’s something I’d want to work on in the next one.

I also thought the mystery was merely mediocre. The setup was good (my notes say ‘a murder that looks like a suicide that looks like a murder’, which is a hard description to resist), but I think it was as a concept than it turned out to be as a story. I’m hoping that the future concepts will work out a little better. I admit, some additional planning may help.

Anyway, there’s that. I got a good bit of writing done this weekend, so I’m in good shape to do a regular-sized update on Tuesday (no promises about Friday). This Nathaniel Cannon story is looking like it could be one of my longest yet; I guess we’ll see in a few weeks. Until then.

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Nathaniel Cannon and the Secret of the Dutchman’s Cross No. 7

Boards, shingles, and canvas, awkwardly secured to the stone, covered the wounds where the other three had fallen. The wall, jagged though it was, still looked solid enough, and the monks peering curiously down at Cannon and his men suggested the wall-top remained intact enough to stroll upon.

Cannon stepped up to the gate. It looked newer, to his eyes, timber that was neither rotted nor green wrapped by iron bands free of rust. A heavy knocker had been fitted to it. Cannon hefted it back and let it fall against the gate, yielding a thud that echoed down the valley.

“Captain Cannon,” Choufeng said. Cannon raised his eyebrows, and Choufeng endeavored to point out a few things by gesture and expression. The monks atop the wall, walking in pairs at regular intervals. Choufeng tilted his head. Coincidence, or patrols? He looked up at the walls and gate, and leveled a meaningful look at Cannon. They looked ill-kept, but they were solid enough walk on, and the gate could easily stop a bullet. “Be wary,” he said.

Cannon took a thoughtful look around. He was armed, of course, his trusty Mauser Broomhandle pistol hanging at his hip, and both of the others carried their preferred pieces. If these monks were more than they seemed, they might stand a chance of getting out alive, especially if they could put a flare up for those aboard Inconstant to see, but Cannon doubted things would go that far south. The clattering of chains and pulleys broke his train of thought, and the gate creaked open.

One monk waited for them. Cannon guessed his age at fifty or sixty, old enough for crow’s feet and smile lines, but not fully gray-haired. He spoke. “I am the abate here, of the Order of St. Giles, Aldo Lasalvatore. You are Captain Cannon, yes?”

“Guilty as charged,” Cannon replied. “This is my surgeon, Chuang Choufeng, and one of my mechanics, Pietro di Giacomo.”

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Nathaniel Cannon and the Secret of the Dutchman’s Cross No. 6

Unique among Inconstant‘s aircraft, her two Albatrossses had conventional landing gear, instead of just arresting hooks, and Cannon pulled the handle for the former as he lined up with the road. The plane passed low over Castle Incus, and Cannon caught a glimpse of upturned faces on the ramparts as they flashed by below. Two hundred yards later, the Albatross touched down, bounced once, and settled, leaving a cloud of dust in its wake.

“That could have been bumpier. Do the monks keep this road smooth?” Cannon asked. Di Giacomo shrugged, and in the copilot’s seat, Choufeng Chuang showed no reaction at all. Cannon turned the plane around, goosed the throttles, and taxied up to Castle Incus’ gate. He shut the engines off and got up.

This time, he’d only brought di Giacomo and Choufeng. The former was a wiry Italian, olive-skinned with dark, wavy hair and a well-kept, luxurient moustache, who wore desert khaki much like Cannon’s. Choufeng, originally from Hong Kong, was the oldest member of the Long Nines gang at somewhere north of sixty—he had never said, but his white queue and goatee and his lined face told of a long, many-storied life. He didn’t tell many stories, or even talk much at all, for that matter, but he had won Inconstant‘s boxing tournament every year since its inception, and he was a learned and experienced man whose judgement Cannon trusted.

They disembarked through the crew hatch in the right-side fuselage. Castle Incus, Cannon thought, didn’t make a very good second impression, either. A keep and courtyard, behind a wall that looked like a row of jagged teeth, was all that remained of the original fortifications. Cannon had seen some evidence of a curtain wall from the plane, but centuries of cannibalization, no doubt to repair the keep, had reduced it to invisibility from this perspective. Even so, the keep was in poor shape. It had probably been built with four turreted towers, but only the one on the corner furthest from Cannon remained standing.

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