Nathaniel Cannon and the Secret of the Dutchman’s Cross No. 40

A machine gun rattled again, throwing dancing shadows past Masaracchia. Through her hand, Masaracchia felt Iseabail turn around. She said nothing, though, and they pushed on through the veiling darkness and its unsettling soundscape.

The cross twitched on its chain, and Masaracchia stopped. Sliding his foot forward, he found a wall—no, a stair. “Watch the steps.”

Iseabail and di Giacomo followed him, cursing occasionally as they stubbed toes on the risers. Masaracchia counted the steps. At forty-one, his foot fell through where the stair ought to have been, and he landed heavily at the top of the flight. “Careful.”

“We’ll wait three minutes before we go back ta find the cap’n,” Iseabail resolved. “I’m countin’.”

She’d just said, “Thirty seconds left,” when, from the base of the stairs, Cannon called, “Are you up there?”

“Aye, cap’n!” Iseabail shouted back. “Good tae hear ye werena kilt. Get up here so we can leave, aye?”

“No argument here!”

Cannon and Burr climbed the stairs. Atop the dais, it was a little quieter; the howls and groans filling the chamber reached the raised platform mainly as echoes. Cannon could make himself heard without raising his voice. “Everyone’s here?” He got four yesses and continued. “All right. The way out is right over there, on the opposite wall. We’ll spread out and find it, then try another torch once we’re through. If that doesn’t work, we’ll have to climb the cave-ins and dodge the poison darts in the dark.”

“I’d nae look forward tae that.”

“I wouldn’t either. Let’s go.”

Experimentally, Masaracchia let the cross swing on its chain. It settled to hang straight down. Worth a try, he thought, looping the chain around his belt and dropping the cross through it. God certainly provided directly in times of desperate need, but He had also been known to work through people at least as unlikely as a gang of pirates.

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Commentary, Secret of the Dutchman’s Cross No. 40

You’re reading this on (or from, for you RSS folks out there) a new server—guiltyspark is on the way out, and intersect (named after the device/system/computer from Chuck) is the new fanciness. It’s an upgrade mainly because I want some more performance for the voice chat I host for my gaming buddies, along with some more headroom for hosting games (StarMade, for one, and Rise of Flight) without eating up all the resources the webserver parts of the server need. It’s not really for web traffic, although that has been picking up in recent weeks. (Thanks, by the way! Follow on Facebook or Twitter, and tell your friends.)

So that’s news. Guiltyspark is dead, long live intersect!

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Nathaniel Cannon and the Secret of the Dutchman’s Cross No. 39

“Captain?” Burr said, urgency in her voice.

“Here,” said Cannon.

The thing which had hit him moved. It rasped as it did, like a snake moving through dry grass.

“What’s the plan?” said Burr.

“Shoot it.”

Burr promptly complied, spraying bullets in the direction of the sound. In the light from the Thompson’s muzzle, Cannon caught a glimpse of it. Man-shaped, it was getting to its feet. Its face was hollow and sunken, and its garments trailed ragged strips. It jumped as bullets hit it, produced an inhuman screech, and fell away. The Thompson clicked and the light faded, and all was dark again.

“Cultists,” Cannon said, as echoing, bone-chilling cries answered the creature’s dying call. “I thought so.” Closer than before, metal clattered off metal, and one shriek answered another. “Come on.”

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Nathaniel Cannon and the Secret of the Dutchman’s Cross No. 38

Staccato flashes pierced the darkness. The strobing light gave the scene a feel like an old Chaplin flick. Three rows to the left, Cannon thought, and they could make a right turn and follow the aisle between the sarcophagi all the way to the stairs.

Movement drew his eye. Three people, the rest of his crew, hustled along. Another figure staggered toward them—and the Thompson, empty, clicked in his hand.

“You saw more than just the others, too, right?” said Burr.

“Yes.” Cannon held the Thompson out in her direction. “Take this, put your hand on my shoulder, and let’s ankle.”

 

The flickering of the muzzle flashes briefly revealed Iseabail’s face: her brow furrowed as she looked over her shoulder. “Tha’ sounds serious,” she said, raising her voice over the chorus of tortured sounds filling the chamber.

Ahead of her, Masaracchia said, “The captain and Miss Burr are formidable enough. We aren’t nearly so well armed—only Pietro’s pistol. If we go back now and they reach the rendezvous, they might decide to look for us. We ought to give them a minute to catch up first.”

“All righ’,” Iseabail said doubtfully. “If they dinna turn up after a wee bit, we go back an’ find them.”

“I don’t think that to be wise,” said Masaracchia.

“Naebody died an’ made you boss,” Iseabail snapped. “The cap’n wou’ do it for any of us.”

 

Cannon turned right and felt for the sarcophagus which marked the edge of the path to the stairs. He touched cool stone, then the figurine he’d seen topping the coffin. “Ready,” he said.

“Let me reload first.” A steel magazine clattered against the cavern floor, and metal slit against metal as Burr worked the charging handle. “All right.”

Cannon felt her hand settle onto his shoulder, and he said, “We’ll take three steps left, then head down the row as fast as we can manage.”

“Sure thing.”

The fastest they could manage turned out to be a slow run. Between keeping the Thompson at the ready and sticking close to Cannon in the enveloping darkness, Burr could go no faster. As the ringing in Cannon’s ears died away, he became aware of a new aspect to the din around them, metallic clanks and rasps.

Suddenly, something slammed into his side, throwing Burr’s hand from his shoulder. It dragged at his khaki shirt and fell to the ground with a thump. Cannon stumbled to a stop.

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Commentary, Secret of the Dutchman’s Cross No. 38

Iseabail’s line was originally1 supposed to be, “Nobody died and made you king,” but that variant of that phrase isn’t attested in print until some time around the 1980s, according to the one really vague source I could find. The one with ‘boss’ sounds less good in my fake Scottish accent, but I’m willing to make some sacrifices for the appearance of historical accuracy2.

1. Okay, originally it didn’t have anything to do with someone dying and making someone else something, fine. I edit when I type from my notebook.
2. Except for zeppelins, the geopolitical situation, the state of aeronautical engineering, economics, and a bunch of others I can’t call to mind right now. But they talk more or less right3.
3. Well, they use appropriate slang4.
4. Sometimes. Man, the part of me which does these footnotes is really vicious tonight.

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Oops update

I was looking at my analytics today and thinking, “This is an awfully busy day for a day without an update.” Hence, oops.

I don’t really have an excuse for this one. >.> Updates will resume on Friday.

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Weekend writing ramble: write what you [blank] edition

This one isn’t going to be nearly as long as my usual writing rambles; it’s not as complicated as the last few.

In the past, I’ve declared the formulation ‘write what you know’ to be bunk, and I suggested ‘write what you read’ in its place. Further reflection, plus a conversation with my girlfriend, suggests that, while ‘write what you read’ isn’t incorrect, it’s also not as general as it could be.

The aforementioned conversation covered careers and the idea that it’s good to do something ‘interesting’, and the insight it sparked was that ‘interesting’ isn’t meaningful in that sense. I know a few accountants and an actuary or two who find their work interesting from day to day, I enjoy my day as a software engineer, and pretty much everyone I know who’s satisfied with their job would describe it as interesting. ‘Interesting’ is insufficient as a descriptor; it’s an objective word in the usual phrasing (‘this is interesting’) for a subjective concept. I prefer “I like this thing” instead1.

It captures the subjectivity neatly, and expresses a deeper truth: if you like a thing, you think it’s interesting. It explains why number munchers like some of my friends and bit wranglers like myself can go to jobs which are admittedly very samey on a day-to-day basis and still find each new day exciting. On the flip side, it’s usually also the case that you don’t think things you don’t enjoy are interesting. If I were jetting around the world as a corporate lawyer, the travel wouldn’t be very interesting to me. If I were jetting around the world to write travel articles, or to write code at a customer’s headquarters, I would find the travel very interesting. In a way, I suppose I’m saying that the destination matters.

Time to bring it back in toward writing again. Written works fall into three categories as they relate to you: stuff you don’t like, stuff you like, and stuff you like that you also like to write. I enjoy John Grisham and Stephen King, but I don’t especially like to write in either of their genres. I also like Larry Niven and J.R.R. Tolkien, and I also like to write in their genres2. You may have noticed where I’m going here. If you like a thing, you find it interesting. If you find it interesting, you’ll do the work to write it well, because it won’t seem like work at all.

That’s pretty much it. The things you love are the things you find interesting, and since you care about them, you’ll recognize if you’re not doing them well and put in the work to improve yourself. The obvious formulation here is ‘write what you love’. I might rephrase it as ‘write whatever you like—just like it enough to do it well’, but that’s wordier and probably less good.

I’m still getting over a cold, so you can’t expect too much out of me. I hope this made some sense.

1. Or “I love this thing”, but I’ve always been a temperate sort of guy.
2. Given that Niven’s fantasy is a lot of fun, I could have said maybe Niven and Niven.

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